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Overlooked & Underrated Docs & Features
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A Model for Matisse
Produced in 2003, for television, “A Model for Matisse” is a sweet, simple, gratifying story of the friendship between the aging artist and 21-year old nursing student Monique Bourgeois – who eventually became Sister Jacques-Marie. The two met in Nice, in 1941, when Matisse was recovering from cancer and its treatment, and was in need of “a young and pretty night nurse.” Their friendship lasted the rest of Matisse’s long lifetime.
There’s a fair share of magic to their story. Life circumstances separated them geographically a few times, and providence reunited them. The most dramatic magic is expressed in the creation of Chapelle du Rosaire de Vence (Chapel of the Rosary) which came about through a set of synchronistic events involving the two friends. The chapel was designed by Matisse who also designed and/or created most – if not all – of its interior and exterior elements. In one way or another each of the barriers to the creation of this chapel were overcome by this aforementioned magic.
For a work of art to be received in any measure by the prospective receiver requires some measure of investment on the receiver’s part. “A Model for Matisse” is no exception. Most of the film’s audio is the voice of Sister Jacques-Marie telling her beautiful story in her beautiful native French. The English subtitles appear in white at the bottom of the screen. The non-French comprehending viewer will, of necessity, keep her or his eyes on those rapidly moving words. This is one of those rare times when I would have preferred an English voice track vis à vis the story-teller’s voice. Given the non-stop beautiful images of southern France, Matisse’s works and workings, and the chapel itself, reading the subtitles is, obviously, quite a sacrifice. A second viewing to appreciate the beautiful images – and, especially, the archival footage of Matisse – is a vital necessity.