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Meet the Kids of Maidan: My Journey into Ukraine’s Revolution (Abridged Part II) by Doniphan Blair
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Rodion, a Russian-speaking costume designer from the Donbas, was very happy with Ukraine's recent progress and very angry with his Russian relatives. photo: D. Blair
“What an incredible place, a cool architectural space, a symbolic place,” I muse, until I work myself up and start yelling to myself: “In the middle of a fucking genocidal war, the goddamn Ukrainians are so democratic, they don’t mind anyone coming to their central square and saying whatever the fuck they want—including the likes of Dirk, a half-crazed German performance artist!” During my five or six times on the Maidan, in fact, I don’t recall seeing a single soldier, police officer or even untoward stare.
The next day, Dirk and I bade each other adieu with repressed emotions. Suddenly involved in each other’s lives—we also took meals together and roomed in a deluxe, rococo one-bedroom on Pushkin Street ($24 a night and four blocks from the Maidan!)—we were unable to understand what that might mean in the middle of our generation’s most destructive and divisive war, now slicing through friendships, ideologies and countries as well as mass murdering Ukrainians.
It was 1 a.m. by the time I hit Lviv. The cabbie raced the three miles of curfew-cleared streets from the train station to downtown, which is next to Old Town, where I had a spartan room in a 19th century building. In Ukraine, what that usually means is the building's entrance, stairs and hallways are falling apart—a comment on undemocratic collectivism, perhaps—but, once inside an apartment, they’re nice, large, luxurious even, having been renovated by the actual owner. At Kirill’s, for example, which he rents for the equivalent of 400 bucks, we walked up three flights of decrepit stairs, along a pealing balcony, and into a lovely, high-ceilinged duplex with a wrought-iron staircase, which leads to a big bedroom with a claw-foot tub and view of the city.
And spotless. Ukrainians are hygiene freaks who take their shoes off at home and in some businesses, like dental offices, and put on slippers or disposable shoe coverings.
Donning my slippers and stumbling down the dark hall, past five other rented rooms, I was happy to see my small room and tiny bed, which obliged my toes to stick out the slats at the bottom, as well as the chair, desk and large window, which looked out on Kryva Lypa, Lviv’s well-known courtyard crammed with cafes, now deserted during wartime at 2 a.m.
Kryva Lypa means “crooked linden tree,” which is still here, three stories tall, right beneath my window and surrounded by a circular, wrought-iron bench often occupied by women laughing, hipsters arguing, parents rocking kids or soldiers enjoying peace. Instead of the tourist trap I had assumed Kryva Lypa to be, when I moved in, it’s an old bohemian hang- and hide- out, protected by its two access tunnels, which can be easily blocked. Indeed, Kryva Lypa is where Lviv’s first movies were shown in 1903 and hippies and punks first congregated.
An eight-foot, punk-era turntable sculpture still hangs in the brew pub Bratyska (“bratyar” means brothers), which features 30 beers on tap, including a tomato one I didn’t try, and a famous borscht I did, every day for a week, in fact, after catching a cold. Prepared daily by Pani Lida (“pani” means missus), the no-nonsense, middle-aged woman I saw taking smoke breaks on the front porch, the borscht was both tasty and had great sides: cloves of garlic and slices of onion and pig fat, in addition to the standard sour cream and dark bread. No wonder Bratyska is so popular with college students, especially from the National Academy of Art, two miles away.
“I’m taking the interior design curriculum but hate, hate it,” said Pauline, whom I met on Bratyska's porch and is tall and stunning, despite the acne she doesn’t hide with makeup. “It was the only department I could get into with my small portfolio. I only draw or paint sometimes. My passion is performance art.” “Oh, that’s cool,” I effused, trying to seem so myself, “A friend of mine just did a performance on the Maid—” but Pauline interrupted me. Her friends from the Academy, easily recognizable by their distinct dress and greetings, had arrived.
Ukrainian prayers for peace are joined by members of the Hare Krishna, seen here in Lviv's Old Town. photo: D. Blair
Next to the Bratyska was a well-appointed nightclub and jazz venue, which just reopened as a comedy club. “Lviv’s fourth,” I was told by the ticket taker, a twenty-something Ukrainian-American woman raised in Sacramento, which is near where I live in California, who moved back after the war started. “What can I say? Ukrainians love comedy,” she explained. “People under threat of death need humor?” I offered, " Perhaps the gallows humor thing," and, “Or they’re honoring Zelensky,” which finally got a laugh.
In fact, Zelensky did do standup around Kyiv, Ukraine and Russia, where he also acted in a number of films, including playing Napoleon in the Russian comedy feature “Rzhevsky Versus Napoleon” (2012). Although poorly reviewed and a box office flop, the film’s kooky plot or mere existence suggests that conquering Ukraine was not foremost on most Russians’ minds at that time. Meanwhile, Zelensky’s experience in Russia, from being a comic on the road to a more respected actor or his one meeting with Putin, provided him invaluable insight.
“We know for sure that we don’t need the war,” Zelensky pleaded with Russian listeners, during his February 23rd, eve-of-destruction broadcast. “Not a Cold War, not a hot war. Not a hybrid one. But if we’ll be attacked… if they try to take our country away from us, our freedom, our lives, the lives of our children, we will defend ourselves."
Across from Microbrew Bratyska, in one of Kryva Lypa’s access tunnels, is one of its lesser lights: Dizzy Coffee, a tiny shop with two tables and a small upstairs loft but a powerful interior design using Piet Mondrian's colored squares. After my late-night return from Kyiv, I dropped by Dizzy for a quick cappuccino but got into an in-depth discussion with the barista, Andrii.
Thin, dark haired and 23 years old, with a sweet face beneath a light beard, Andrii has a degree in economics and a penchant for machine-gun-fire speech and wild gesticulation. As I learned over the next few days, Andrii is the elder in a crew of voracious-reading, pop-culture-consuming and debate-loving kids, who also listened to their grandparents. It was Andrii, in fact, who informed me of the Holodomor’s three rounds—1932-3, ’45 and ’46-7—hands flying around the espresso machine for emphasis but not spilling a drop.
“My grandmother worked in bakery,” Andrii said, during our first chat, which went high speed between coffee customers for over an hour. “Soldiers came every day and took 90 percent of bread. It’s a problematic. It goes for few years after war.” The Soviets also murdered almost 300 Ukrainian writers in the 1930s—"Called 'executed renaissance,'” he told me—and kept killing intellectuals into the ‘70s.
“She was Jew, Holocaust survivor from Warsaw,” Andrii added about his mother’s mother. “Her name was Mandelbaum, popular Jewish name,” although his family didn’t find that out until perusing her papers after she died. As it happened, her husband was a member of the fascist Organization of Ukrainian Nationalists, who had been arrested and did time in Siberia before they met.
“Did they know each other’s stories?” I asked. “They must have,” Andrii said, “They lived together for many years.” “Did they love each other?” “They must have, they had four children.” “Is your mother loving?” “Yes.”
Andrii, economist, historian and barista, at his post in Kryva Lypa's Dizzy Coffee, where he headed up a crew of young Lviv intellectuals. photo: D. Blair
Somewhere around then, into Dizzy’s cramped confines strode Andrii’s best friend, Vasyl, 22, all boots, skinny jeans and unkempt, curly black hair. A programmer for a German company, who does comparatively well, I learned when he told me about his life two weeks later, Vasyl grew up poor in one of the Soviet-style apartment blocks that speckle the suburbs of eastern bloc cities. When he was sixteen, he worked in a factory for eight months, learned not to romanticize proletariat life, and bought his first computer. He also plays classical piano, loves heavy metal and punk, often reads or listens to books on tape, and writes poetry. Andrii writes prose. Vasyl also told me about his grandparents, speaking almost as fast as Andrii but with less gesticulation.
“He was very, very against war,” Vasyl said about his grandfather, Mykhailo (Michael in Ukrainian). “He was born few years before the Great War and saw many terrible, terrible things as a kid: dead people, dead animals, bombed buildings, bombed streets, bombed whole cities, etcetera, etcetera, etcetera”—Vasyl’s trademark expression in English. Andrii’s is “problematic,” used as a noun.
“He wrote it all in his memoir, which I read, which was hard to read, because it is written by hand and had many strong statements. Some too strong for publication,” although that could be cleaned up by his daughter, Vasyl’s mother, a book editor. “He died last week,” Vasyl added, to which I offered condolences. “He had good life. He was 85. We will have cemetery thing on Sunday.”
Vasyl’s parents are religious, which is how many older Ukrainians addressed the terrible trauma of Soviet and Nazi totalitarianism and genocide, although his mother is Jehovah’s Witness. “It was her way of rebelling against grandfather, who was Orthodox,” Vasyl explained. Somewhere in there, he noted that, “She and I are the only ones in our family to graduate from university,” although Mykhailo was a renown building crane operator.
“When the war started, Grandfather thought we should surrender, surrender right now, surrender as soon as possible,” Vasyl said, getting excited. “‘We are going to lose anyway,’ he kept saying, ‘And that will stop killing.’ But after a week, Grandfather changed his mind. ‘We have to fight,’ he said, ‘To stop killing in the future.’”
Andrii tried to enlist in the Ukrainian Army but was rejected and did extensive volunteer work near Kyiv. Vasyl didn’t bother, since he’s been plagued with health problems since childhood and figures he can contribute more in other ways. What he calls his “homemade NGO” recently bought a car, 70 pairs of socks and some shoulder bags for rocket-propelled grenades, which a friend drove across Ukraine to “their unit
For the next three weeks almost daily, Andrii, Vasyl and I embarked on a broken-field run across Western civilization, from “The Bible” and Plato to Poe and Crowley, the filmmakers Lynch and Tarantino, or the philosophers beloved by twenty-somethings worldwide: the Slovenian leftist Slavoj Žižek and the innovative evolutionary psychologist but also rightwinger from Canada, Jordan Peterson, both of whom Andrii and Vasyl find interesting but too extreme. One of them, I can’t remember which, read and enjoyed “Tropic of Cancer” by Henry Miller, the other Gregor Von Rezzori’s “Memoirs of an Anti-Semite”, two of my favorite books.
At any moment, of course, we would switch to breaking news or reports from the front, which I was now getting from an American with a literary bent and checkered past who was fighting with the Ukrainian Foreign Legion near Kherson. Paid the same as Ukrainians, foreigners can reject orders or quit fighting. Over hours-long phone calls—one of which Vasyl listened in on—or text dialogues, Terry, 53, from upstate New York, regaled me with pithy stories about firefights or his international comrades: the short, gorgeous Norwegian of tribal Sana heritage, who was tough as nails and drove a Porsche, the Jewish woman medic from Texas, who hauled a wounded man almost twice her size to safety, or his close friend Paul Kim, 1997-2022, whose death devastated him. A Korean-American from Oklahoma, Kim was a dedicated democrat, an up-for-anything warrior, and perhaps the first ex-US military officer to die in the Russo-Ukrainian War.
Dirk Grosser doing a performance piece on Kyiv's Maidan Square, on September 17, 2022. photo: D. Blair
Or we’d analyze Putin’s psychology, that of the leftists supporting him or the rightwingers opposing him. After beers at Bratyska one night, we retired to my meagre quarters, and Vasyl delivered a dissertation on Ukraine’s neo-Nazi punks: how they emerged from the punks of Russia, a society defined by its anti-Nazism, which makes those symbols an easy way to rebel; how a popular Russian punk musician moved to Kyiv and developed a following; how they want to destroy the state, like anarchists, not strengthen it, like actual National Socialists; and how it was better to keep talking to them rather than letting them stew in alienation.
Andrii and Vasyl were also collaborating on a magazine, Фрайдей найт. Pronounced “fraydey nayt” and meaning Friday night, it references an older magazine, Четвер (“chetver” meaning Thursday), edited by a popular modernist writer from the Carpathians, Yuriy Izdryk. Friday Night's logo—a slab of meat taped to a Ukrainian embroidery, a la Maurizio Cattelan’s "Banana" (Art Basel Miami, 2019)—was designed by Andrii’s girlfriend, Stasia (short for Anastasia), who is talented, bright-eyed, beautiful and, it so happens, blonde, and may be all of 20.
“Andrii will do more editing and content creation,” Vasyl said, “And I will do tech and funding. We will focus more on ideas, poetry and philosophy, etcetera, etcetera, etcetera, since war is already discussed everywhere.” The first issue will probably be printed in February, they told me, and be accompanied by a social media presence.
Some of Dizzy’s denizens were only 16, I was surprised to learn, and still in high school, where they’d read but didn’t quite get Dostoevsky or Tolstoy, one admitted to me. A few joined the debate club Andrii and Vasyl attended and toured with around Ukraine. They invited me to the club once, which met weekly at a youth center across Old Town, and debated in English, so I could participate. Watching Evelina, a tall, innocence-exuding, almost albino-blonde 16 year old defend the proposition “Is nostalgia beneficial?” in high-speed English—on top of hanging around Andrii, both her parents are lawyers—I thought, “My god, the kids of Maidan are getting younger, fiercer and more articulate!” No wonder Putin is petrified.
The last night of September is a Friday, coincidentally, considering Andrii and Vasyl's magazine, and the rain pisses down, as it has almost constantly for three weeks. I think of the soldiers. It must be brutal soaked to the bone, trying to move through swollen streams and muddy fields, especially when on the attack, as many Ukrainian fighters have been since a few days before the deluge started on September 10th.
My room is cold, and I have a bad cold, although it’s not Covid, I know, since I just took a test. Ukraine did not miraculously escape the pandemic, as it sometimes seems, it's just that Covid's mortal threat is far overshadowed by that of war. Hence, no one mentions it, unless someone actually gets sick, and only one in a thousand on the street masks.
The sirens start around midnight and howl for a half an hour straight, longer than the four or five other air raid signals I've heard in Ukraine. “Does that mean a real attack?” I text Andrii on Instagram, their preferred communication platform. “It’s bullshit,” he responds. “Should I go down to the basement?” “No. You will get sicker.”
The sirens wail intermittently until 4 a.m., long enough for me to entertain dark-night-of-the-soul scenarios: What if the Russians bomb Kryva Lypa to punish Ukrainian free thinking at one of its sources? “Kryva Lypa is old. Its buildings have big walls,” Andrii said earlier that day, tapping a wall, “Only direct hit breaks this.”
It strikes me as tragic but also absurd and then disgusting and grotesque that my new friends and I, the community of Kryva Lypa, the people of Lviv, the people of Ukraine, a burgeoning, nation-building democracy, are now ensnared in a modern, mass-murderous war.
Girl posing with a sculpture of their beloved 'babuskas' (grandmothers), Kyiv. photo: D. Blair
The all-clear siren sounds around 7 a.m., and I hear doors opening and chairs scraping as Kryva Lypa’s waiters and baristas start another business day during wartime. That's when my thoughts turn to the Maidan.
“If the Russians go nuclear,” it suddenly hits me, “The Maidan will surely be ground zero! If the Russians are already attacking libraries, memorials and other cultural institutions, they will obviously want to destroy the central symbol of Ukraine's independence movement.”
I feel like crying, but the tears don't come.
As horrific, unimaginable and destructive as nuking the Maidan will be for Russia, Europe and the world, as well as of course for Kyiv and the people of Ukraine, those are the Kremlin's stakes, which it has been raising since a few days after the war started. Given Russia's systemic corruption, poor weapons, untrained soldiers and tradition of extreme violence, there will eventually be nowhere else for them to go for a path to victory. Nuking the Maidan will be counterproductive, politically, strategically and militarily, most analysts agree, but more militant and angry Russians, like members of the white supremacist mercenaries, the Wagner Group, now central to Russia’s war effort, get a perverse pleasure from being world-class killers.
"Never Again" seemed like a reasonable goal when I was coming up, but history suggests there will always be more genocides, that all weapons eventually get used, and some sort of nuclear attack is just a matter of time. Contemplating that conclusion can be psychologically devastating but we have to analyze the possibility.
But the horror can't go on forever, history also indicates. Someday it will end, and Ukrainians will rebuild, restore and heal, as they did after the Holodomor, the Great Terror and the Nazis. Indeed, the kids of Maidan grew up hearing how their grandparents did exactly that, they just enjoyed three decades of democracy, which they refuse to renounce, and they love each other dearly.
It may take a decade or two to vanquish the Russian Federation, to give them enough death to inspire treaty adherence, to scrub Kyiv of radioactivity and reconstruct the Maidan in all its glory—to put Berehynia back on her golden pedestal—but Ukraine will survive, of that I suddenly feel certain, having gotten to know the kids of Maidan.
I lull myself to sleep in my tiny bed, which finally warmed up, imagining how the Maidan will look during its first Victory Day celebration, which I am determined to attend. I see happy faces, despite the horrific death toll and suffering, because surmounting that soul-crushing sorrow is an obligation of Ukraine's geographical-historical destiny. I hope my decades of Holocaust and mystical studies are enough to offset my own sadness and help them with theirs, especially when I see some of my Ukrainian friends and, if the road to peace is long, their kids. I also hope to meet an incredible crew of freedom fighters and lovers from around the world, including, I hope, anti-fascist Russians.
Drifting into dreamland, I fantasize about the speakers and performers on the Maidan’s proscenium for Victory Day. There will be some fantastic dancers, I assume, as well as performances and art shows around the square and across Kyiv and Ukraine. There will surely be seminars and conferences addressing how to restore a devastated economy, infrastructure and environment, augment psychological services or develop dialogues in polarized societies, which Americans would do well to attend. I also hope there will be presentations on the Roma crisis, LGBTQ rights and Jewish history tailored to Ukrainians.
I left Ukraine on October 9th, the sky still dark with impending storms. Eighteen hours later, the air raids in Lviv and Kyiv were real, as Russia began its strategic bombing campaign against power and water facilities. In Lviv, the missiles did not kill anyone directly but the electrical blackouts did. None of my friends were seriously affected—they claimed it was nothing new, or they posted photos of candle-lit dinners—but I felt I had deserted them.
Valter (cntr), a 23 year-old soldier on leave from the front, and his friends (lft-rt) Oras, Adriana-Maria and the 14-year-old Ruslan and Nazar, at the Golden Rose Synagogue memorial, Old Town, Lviv. photo: D. Blair
Things will get bad as temperatures drop, surgeons operate by flashlight, the elderly and young freeze, and World-War-One-style trench and artillery battles rage across the 500-mile eastern front. Meanwhile, the Kremlin keeps upping its ante: more infrastructure bombings, more relentless attacks, more soldiers mobilizing, more torturing of civilians, and more threats of their nihilist nightmare, nuclear holocaust.
Imagine what a populous, prosperous and peaceful country Russia would be today if they hadn’t killed so many of their own people as well as others. Despite their world-class literature, their leaders appear unfamiliar with a central fact of human history: If bullies were so successful down through the ages, we'd still be living in caves.
It will be tragic, it will be brutal, it will be genocide, even without the detonation of nuclear devices. Unfortunately, the efficacy of our ideas—and how they trickle down to civic society, culture, technology and discipline—are periodically tested by those who fantasize that extreme amorality and brutality can bring victory. Sadly, the only way to prove them wrong is by force of arms. During this difficult moment of historical transition to a digital, diverse and civil-rights-supportive world, the kids of Maidan may end up saving not only Ukraine but the spirit of democracy. Posted on Feb 12, 2023 - 12:11 AM